February book choice and dinner

 Our February choice was Zadie Smith's novel White Teeth 

Here is a bit of what the NY Times had to say in their 2000 web post review 

A young novelist chronicles two families who bring a patchwork of cultures to the London of the 21st century.



Zadie Smith's debut novel is, like the London it portrays, a restless hybrid of voices, tones and textures. Hopscotching through several continents and 150 years of history, ''White Teeth'' encompasses a teeming family saga, a sly inquiry into race and identity and a tender-hearted satire on religious antagonism and cultural bemusement. One might be inclined to assume that Smith, who began writing the book when still a Cambridge undergraduate, has bitten off more than she can chew; one might even feel a little huffy that one so young (she is 24) has aimed so high. Is it open season on Henry James's baggy monster? Yet aside from a rather wobbly final quarter, Smith holds it all together with a raucous energy and confidence that couldn't be a fluke.





Alayna hosted the Beehive at her lovely cottage, great food and a lively discussion.

February March Book Club Dinner

Molly hosted our March gathering at her lovely villa, with lots of spice and candle light to ward away the rain. We all admitted to knowing very little about this president and or the situation that lead to his death. Lots of history twists and turns, plus great food and fellowship.

February March Book Choice

Our February March book choice is Destiny of the Republic...a tale of madness, medicine and murder of a President by Candice Millard. Here is an overview of the book:
James A. Garfield was one of the most extraordinary men ever elected president. Born into abject poverty, he rose to become a wunderkind scholar, a Civil War hero, and a renowned and admired reformist congressman. Nominated for president against his will, he engaged in a fierce battle with the corrupt political establishment. But four months after his inauguration, a deranged office seeker tracked Garfield down and shot him in the back. 

But the shot didn’t kill Garfield. The drama of what hap­pened subsequently is a powerful story of a nation in tur­moil. The unhinged assassin’s half-delivered strike shattered the fragile national mood of a country so recently fractured by civil war, and left the wounded president as the object of a bitter behind-the-scenes struggle for power—over his administration, over the nation’s future, and, hauntingly, over his medical care. A team of physicians administered shockingly archaic treatments, to disastrous effect. As his con­dition worsened, Garfield received help: Alexander Graham Bell, the inventor of the telephone, worked around the clock to invent a new device capable of finding the bullet. 

Meticulously researched, epic in scope, and pulsating with an intimate human focus and high-velocity narrative drive, The Destiny of the Republic will stand alongside The Devil in the White City and The Professor and the Madman as a classic of narrative history.

Doubleday book site 

February Book Club dinner

Molly hosted the February dinner and as always she was a lovely and generous hostess. The rainy weather and health issues kept several members home, but the event was still cheerful and filled with book talk and sinfully good food. Our book was the Holy and the Broken, which we agreed was a good idea for a book but most agreed it went on a bit to long (like a broken record?) There was a lot of talk about art created by a artist and what happens when it  becomes public (or public property). Can you truly own art?

February 2014 Book Choice

Our February Book choice is The Holly or the Broken by Alan Light

Here is a bit of what the NY Times wrote about this book in 2012

“The Holy or the Broken” comes with codes that, when scanned, are supposed to yield different versions of “Hallelujah.” Or you can go straight to YouTube and find the renditions that matter most to this book. Mr. Light discusses these performances of “Hallelujah” in chronological order, but there’s much more to “The Holy or the Broken” than a litany of cover versions. The real questions are these: How did this obscure song get into our elevators, subway stations, movies and TV shows? Why is it used at benefits to help victims of disaster? Why won’t contestants on musical talent shows quit butchering it? Why do the lyrics of different versions vary so much? And how did this song get its reputation for universality when nobody, not even Mr. Cohen, really knows what it means?

The album containing “Hallelujah” came out on an independent label in 1984, and then it languished. See Ms. Simmons’s account for an understanding of why, by 1991, the world was nonetheless ready for a Leonard Cohen tribute album: “I’m Your Fan,” put together by the French music magazine Les Inrockuptibles. This album prompted a major overhaul of “Hallelujah” by John Cale, once of the Velvet Underground, who re-edited the lyrics, coming up with a version that has proved more enduring than Mr. Cohen’s. Mr. Cale’s stark, exquisitely pure rendition, with an emphasis on the song’s eroticism, is by some lights (like this one) the best “Hallelujah” ever recorded.