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Thursday
April Book Club Choice
April book choice: Daughter of Fortune by Isabel Allende
Here is the book jacket summary:
Orphaned at birth, Eliza Sommers is raised in the British colony of Valparaíso, Chile, by the well-intentioned Victorian spinster Miss Rose and her more rigid brother Jeremy. Just as she meets and falls in love with the wildly inappropriate Joaquín Andieta, a lowly clerk who works for Jeremy, gold is discovered in the hills of northern California. By 1849, Chileans of every stripe have fallen prey to feverish dreams of wealth. Joaquín takes off for San Francisco to seek his fortune, and Eliza, pregnant with his child, decides to follow him.
So begins Isabel Allende's enchanting new novel, Daughter of Fortune, her most ambitious work of fiction yet. As we follow her spirited heroine on a perilous journey north in the hold of a ship to the rough-and-tumble world of San Francisco and northern California, we enter a world whose newly arrived inhabitants are driven mad by gold fever. A society of single men and prostitutes among whom Eliza moves--with the help of her good friend and savior, the Chinese doctor Tao Chien--California opens the door to a new life of freedom and independence for the young Chilean. Her search for the elusive Joaquín gradually turns into another kind of journey that transforms her over time, and what began as a search for love ends up as the conquest of personal freedom. By the time she finally hears news of him, Eliza must decide who her true love really is.
Daughter of Fortune is a sweeping portrait of an era, a story rich in character, history, violence, and compassion. In Eliza, Allende has created one of her most appealing heroines, an adventurous, independent-minded, and highly unconventional young woman who has the courage to reinvent herself and to create her own destiny in a new country. A marvel of storytelling, Daughter of Fortune confirms once again Isabel Allende's extraordinary gift for fiction and her place as one of the world's leading writers.
Translated by Margaret Sayers Peden
From the Boston Globe:
"An intricate novel by a fine storyteller....Once the reader submits to her wizardry, a florid, detailed universe of hopes and lust, of class struggle and quarreling individual identities, unfolds."
Orphaned at birth, Eliza Sommers is raised in the British colony of Valparaíso, Chile, by the well-intentioned Victorian spinster Miss Rose and her more rigid brother Jeremy. Just as she meets and falls in love with the wildly inappropriate Joaquín Andieta, a lowly clerk who works for Jeremy, gold is discovered in the hills of northern California. By 1849, Chileans of every stripe have fallen prey to feverish dreams of wealth. Joaquín takes off for San Francisco to seek his fortune, and Eliza, pregnant with his child, decides to follow him.
So begins Isabel Allende's enchanting new novel, Daughter of Fortune, her most ambitious work of fiction yet. As we follow her spirited heroine on a perilous journey north in the hold of a ship to the rough-and-tumble world of San Francisco and northern California, we enter a world whose newly arrived inhabitants are driven mad by gold fever. A society of single men and prostitutes among whom Eliza moves--with the help of her good friend and savior, the Chinese doctor Tao Chien--California opens the door to a new life of freedom and independence for the young Chilean. Her search for the elusive Joaquín gradually turns into another kind of journey that transforms her over time, and what began as a search for love ends up as the conquest of personal freedom. By the time she finally hears news of him, Eliza must decide who her true love really is.
Daughter of Fortune is a sweeping portrait of an era, a story rich in character, history, violence, and compassion. In Eliza, Allende has created one of her most appealing heroines, an adventurous, independent-minded, and highly unconventional young woman who has the courage to reinvent herself and to create her own destiny in a new country. A marvel of storytelling, Daughter of Fortune confirms once again Isabel Allende's extraordinary gift for fiction and her place as one of the world's leading writers.
Translated by Margaret Sayers Peden
From the Boston Globe:
"An intricate novel by a fine storyteller....Once the reader submits to her wizardry, a florid, detailed universe of hopes and lust, of class struggle and quarreling individual identities, unfolds."
Wednesday
March Book Club Meeting
Our March get together was held at Molly's lovely home. The book Room had limited food references but many chose to go with the comfort aspect with such foods as macaroni and cheese . Some of our most interesting questions and discussion involving childhood, parenting and survival were inspired by this book.
March Book Club Choice
This month we read the book Room by Emma Donoghue
Here is what the Observer writer Nicola Barr had to say about this book (July 2010)
"Room is in many ways what its publisher claims it to be: a novel like no other. The first half takes place entirely within the 12-foot-square room in which a young woman has spent her last seven years since being abducted aged 19. Raped repeatedly, she now has a five-year-old boy, Jack, and it is with his voice that Donoghue tells their story.
And what a voice it is. "Ma" has clearly spent his five years devoting every scrap of mental energy to teaching, nurturing and entertaining her boy, preserving her own sanity in the process. To read this book is to stumble on a completely private world. Every family unit has its own language of codes and in-jokes, and Donoghue captures this exquisitely. Ma has created characters out of all aspects of their room – Wardrobe, Rug, Plant, Meltedy Spoon. They have a TV and Jack loves Dora the Explorer, but Ma limits the time they are allowed to watch it for fear of turning their brains to mush. They do "phys ed" every morning, keep to strict mealtimes, make up poems, sing Lady Gaga and Kylie, and most importantly, Ma has a seemingly endless supply of stories – from the Berlin Wall and Princess Di ("Should have worn her seatbelt," says Jack) to fairytales like Hansel and Gretel to hybrids in which Jack becomes Prince Jackerjack, Gullijack in Lilliput: his mother's own fairytale hero. And really, what is a story of a kidnapped girl locked in a shed with her long-haired innocently precocious boy if not the realisation of the most macabre fairytale?
For me, the rhythm of Ma and Jack's speech bears traces of the author's native Irish brogue, though the second half reveals the setting to be America (Donoghue now lives in Canada). But this only adds to the strange, dislocating appeal of Room. In the hands of this audacious novelist, Jack's tale is more than a victim-and-survivor story: it works as a study of child development, shows the power of language and storytelling, and is a kind of sustained poem in praise of motherhood and parental love."
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